How I Did That
By Michael Stiller
I was pleased when longtime client Christopher Allen, executive producer of HKM productions, asked me to join the design team for E&J Gallo Winery's 75th...
By John Shafer
Student performers from three universities—University of Central Florida (UCF) in Orlando, Bradley University in Illinois, and University of Waterloo in Canada—leapt from stage to stage in a digital-age version of Lewis Carroll’s classic that achieves the latest breakthroughs in distance theatre technology...
By Clifton Taylor
Coordinating the Fall For Dance Festival at NY's City Center...
By Andrew Douglas
Lighting the Ernst & Young, LLP 2005 Partner Meeting in Orlando...
by Davi Napoleon
Throwing knives safely, and consistently, on set with wireless technology...
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Problem/Solution
By Davi Napoleon
San Diego's La Jolla Playhouse (LJP) thinks of itself as a research and development lab for new American plays headed for Broadway. Shows have to be big,...
By Davi Napoleon
Problem If you haven't seen one of Terry Gipson's production designs lately, chances are your kids have. Rhinebeck, NY-based Gipson Design Group has done...
By Davi Napoleon
Problem Michael Yeargan's design for the Lincoln Center revival of South Pacific is more presentational than realistic, with a tropical bamboo surround...
Tutorial from chapter 2 of 'Sound Systems: Design and Optimization' by Bob McCarthy.
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By Davi Napoleon
Problem There are surprises in the Guthrie Theatre's Peer Gynt. Some are in Ibsen's fantastical story. Some are in Tim Carroll's production of Robert...
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